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March/April 2008 V24N2
At the Blanton Museum of Art, art is more than images on a wall. Instead, it's an experience with the power to change people … and the city the museum calls home.
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July/August 2007 V23N4
A booklet for a play in Turkey combines facts and theatrics, giving the audience a compelling reason to learn more about the country's past.
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May/June 2007 V23N3
The Houston-based firm Rigsby Hull doesn't have easy access to the big, sexy clients. The work doesn’t challenge convention or jump up
and down screaming Look At Me. It’s just really good, time after time.
And a large part of this is due to superb typography.
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Nov/Dec 2006 V22N6
While every design firm uses wit sometimes, Brandever in Vancouver, B.C., has built its entire practice on creating distinctive brands through wit.
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Sept/Oct 2006 V22N5
What makes this site great isn’t just its attractive, effective design. It’s the fact that it exploits the power of the web to bring people together in meaningful ways.
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July/August 2006 V22N4
These handsome, minimalist posters are not what you’d expect to see from internal communications at an international consulting firm. But sensitive design is the least interesting part of the story.
The attitude shift behind it is much more powerful.
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May/June 2006 V22N3
We’ve seen plenty of “flexible identities” in recent years, so the unboundary system isn’t doing anything new. What makes it interesting is what it says about the design firm it represents—and what that says about the design industry.
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January/February 2006 V22N1
All student portfolios present a gallery of work. This one presents the work as a book, with explanatory text in a well-paced, editorial design that creates a personal brand for the graduate.
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Nov/Dec 2005 V21N6
“Who Dies For Bush Lies” is hosted by the committee to help
unsell the war. As the title suggests, the site presents unabashed propaganda. Will it change anyone’s mind?
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Sept/Oct 2005 V21N5
The Marine Corps’ highly sophisticated recruiting site uses best practices
in branding, communication, and design to make emotional connections
with its intended audience.
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July/August 2005 V21N4
Now that we’re all foodies, spaghetti is called pasta, and no self-respecting cook
serves anything but freshly grated parmesan with the farfalle and scampi, you’d think
product designers could get a simple cheese grater right.
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May/June 2005 V21N3
In a website for one of the most searing documentaries ever made, designers at The Chopping Block, in New York, created an immersive, emotional experience.
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