2008 | POSTER FOR THE FILM BEAUTIFUL LOSERS | CLIENT: SIDETRACK FILMS
Emerging Talent No. 8: Keith Scharwath
“I’m originally from New Jersey,” says graphic artist Keith Scharwath.
“I reluctantly applied to art school after sustaining one too
many horrible skateboarding injuries. I got into SVA with a portfolio
of horrible drawings I had done the night before the review. I
worked hard at it, and four years later I graduated with a degree in
Graphic Design.” Scharwath’s first job out of school was at MTV,
where he worked for several years. Having never left the tri-state
area, Scharwath decided to escape to L.A. He landed a job at Brian
Collins’ Ogilvy Brand Integration Group (BIG), where he worked
under Rebeca Méndez and Somi Kim. BIG LA was shuttered in
late 2006, and since then Scharwath has been freelance on print,
motion, web, mobile and retail graphics. He’s worked with Nike,
180 Amsterdam, Adidas, Boost Mobile and art curator/filmmaker
Aaron Rose.
For Rose’s documentary Beautiful Losers, a film that follows
the careers of a group of ’90s artists who emerged from the punk,
skate and graffiti subcultures, Scharwath designed the movie
poster, employing typography from Geoff McFetridge, one of the
film’s featured artists. The poster is a good example of Scharwath’s
visual aesthetic, which he describes as “from the heart, spontaneous,
vibrant, bold, imperfect, unrestrained, rarely serious, always
accessible.” He has no particular stylistic hang-ups, letting the idea
dictate how he makes something look. “I have fun creating, and I
think this comes through in my work,” Scharwath says. “But I’m
a designer before I’m an artist. My work is about creating unexpected
solutions to everyday design problems. For example: How
do you create a movie poster that encompasses the work of 15
famous artists AND communicates what the movie is about? The
real reward for me is connecting with the viewer.”
Scott Denton-Cardew of Denton-Cardew Design, who has
worked with Scharwath, says, “Keith has a unique set of qualities,
such as his use of color and typography, combined with an illustrator’s
eye and touch. His artwork remains contemporary while
squarely acknowledging the past.”
Scharwath enjoys collaboration with other creatives. The
Nike Re-Run exhibition—which celebrated the birth of jogging
with a 3D arrangement of panels clad with ’70s-inspired graphics—was another collaborative effort with Aaron Rose and several
other artists. In addition, Scharwath is a contributor to the
West Coast art and culture blog ViewersLikeU. He’s taken up art
activism, participating in the recent BARACK ON fundraiser for
the Obama presidential campaign at the Los Angeles silkscreen
shop/gallery Fresh Pressed. Asked what’s next for him, Scharwath
replies, “More collaborating, fewer mouse clicks, more hammering,
sawing and building.”
www.scharwath.com | http://www.viewerslikeu.squarespace.com