ONE TRICK PONY
Link to the site for the 2007 Virgin Festival, a gathering of 40 bands and
assorted entertainments, and the first thing you notice is what’s
not there:
no pictures of long-haired, sweaty guys in tight jeans bent over guitars
or screaming into microphones; no images of crowds of people in rock
tees and halter tops, fists raised as they pump to the music. The only guitars
you’ll find are animated illustrations that fly along the bottom of the
screen, ridden like racehorses by helmeted jockeys.
“When we showed our initial designs, one approach had huge
crowd shots,” recalls Rob Reed, creative director at One Trick
Pony. “And … the client said, ‘This is what everyone does, and the
average person looking at these images thinks that they won’t have
a good time.’ They challenged us to use something other than the
typical imagery.” Because everyone at One Trick Pony goes to lots
of concerts and festivals, the team was very cognizant that this
one is different from the usual head-banging fare. The Virgin Festival
offers a full range of performers, attractions, art exhibitions
and high-quality food—no warm beer and cold burgers—as well
as a stellar musical lineup of acts large and small from all genres,
including The Police, Smashing Pumpkins, Cheap Trick, Panic at
the Disco, Amy Winehouse and the Beastie Boys, to name a few.
“We wanted to take the approach that this is a great festival that
doesn’t have to tell you how awesome it is, and let it gain credibility
that way,” Reed notes.
By examining photos from the festival of the year before, the
team was able to isolate images that were both evocative and specific to the event. Because it’s held at Pimlico Race Course, a
weathervane/track post with banners and flags became a key
visual, serving as an organizing and navigational element. Illustrations
of stilt walkers, speakers, horses, marquees and musical
instruments slide up and down the post as you move to different
areas of the site. The site also had to “handle a lot of backstory,”
according to Reed. “When we started designing, the entire lineup
wasn’t signed on yet, so we needed a structure that allowed us to
add, delete and move names. We also had to take into account
what type of billing each band got, what size the names were and
which name went above the other.” A series of lightning bolts
blasting from speakers on the home page became a device that
allowed the design to “flex” as bands were added to the festival and
surprises came up. “There was a lot of care that went into making
sure sizing and placement was correct in relationship to other
bands,” Reed explains. The resulting design manages to capture
the energy of the featured acts without intimidating visitors to the
site. Laurel Saville
ONE TRICK PONY | CREATIVE DIRECTOR: ROB REED | ART DIRECTORS: ELIJAH VARGAS, MARK TESI (VIRGIN MOBILE) | DESIGNERS: PATRICK MACOMBER, EMILY IANACONE
FLASH PROGRAMMERS: JOHN BLAZEK, AJ KYLE | ACCOUNT MANAGERS: KEITH PIZER (ONE TRICK PONY), CHRISTINE CHOI (VIRGIN USA), LAURA JORDAN (VIRGIN MOBILE),
RON FARIS (VIRGIN MOBILE) | PROJECT MANAGER: JIM JUSTICE | FESTIVAL PROMOTER: IMP | CLIENT: VIRGIN USA | WWW.1TRICKPONY.COM