A BRIGHT, HIP COLOR PALETTE ADDS TO THE DECK’S HUMOR, BUT THE DESIGNERS HAD TO BE SURE THAT THE COLORS WOULD EASILY REPRODUCE IN CMYK, AS THE CARDS WERE
PRINTED OVERSEAS.
Bill O’Reilly looks pretty in pink. Well, against pink at any rate. That’s
how the conservative talk-show host’s mug shot appears in the Name That
Republican card deck—a field guide to the Svengalis, standard-bearers
and idealogues of the GOP. In this gifty retail offering from Chronicle
Books, O’Reilly’s exaggerated scowl is perfectly offset by a certain soft,
feminine hue.
It’s one of countless design decisions that help turn up the volume
on the deck’s laugh track, but this novel project actually came with a
fairly long list of parameters. By the time Design Army got involved,
the concept was well under way at Chronicle, which had already
chosen an illustrator, card size and paper stock. Design Army, however,
didn’t treat this scenario as a production job. “A good designer
takes it to another level within the parameters,” says design director
Pum M. Lefebure. “It’s not about taking the easy way out.”
The deck’s oversized cards—3 x 5 in.—feature 50 famous
Republicans in baseball-card fashion. There’s a humorous illustration
on the front of each card, along with basic identifiers: name,
birth date, nickname and position. Flip a card over and you’ll
learn about the individual’s all-true antics. Arnold Schwarzenegger’s
fun-facts section, for instance, lets you know that he once
won a Munich stone-lifting competition by hefting a 560-lb. rock.
There’s also an accordion-fold quiz card to test your GOP IQ.
Keeping this innately amusing content in mind, Lefebure
wanted to avoid the humdrum visual choices you’ve seen on election
yard signs and mailers. “The political scene is boring,” Lefebure
says. “You see red, white and blue constantly. We tried to
take it and make something compelling.” And what better way to
grab attention than with a bold color palette that wouldn’t look
out of place at a circus? There are 10 different color palettes (four
shades apiece) for the cards, and each is repeated five times to
strike the perfect balance between variety and continuity.
The unexpected palette also serves another important purpose:
It signals the target audience that this is a humorous deck—not an
education tool for young Republicans. “I like the idea of Bush with
a girly color,” says Lefebure about the President’s bright-orange
trappings. And this gender-bending treatment cuts both ways:
Secretary of State Condoleezza Rice exudes a masculine feel with
navy blue on brown. Such deliberate choices add a touch of absurdity,
and they’re calculated to engage liberals with their minds on
politics as the 2008 election approaches.
THE DECK’S FAMOUS REPUBLICANS ORIGINALLY INCLUDED BRITNEY SPEARS, BUT SHE DIDN’T MAKE THE FINAL CUT.
The front of each card presents a straightforward layout that
allows the illustration to play the starring role. Design Army made
sure these head-and-shoulder likenesses were worthy of the spotlight.
They amped up illustrator Alex Fine’s black-and-white line
drawings with color and worked with him to get all the details just
right. Talking head Ann Coulter’s angular features, for instance,
mirror her tough-talking ways, while comedian Dennis Miller’s
smirk makes him seem like he just left a bar.
With the most famous Republicans, there was more room to
up the giggle factor. “We had [Fine] revise Dick Cheney a couple
times,” Lefebure says. “He looked too normal.” The creative direction:
“Can you make it look like he’s about to take a poop?” The
humorous illustrations, however, never lapse into caricatures. It’s
a move that allows lesser-known figures like Grover Norquist and
Donald Sherwood to remain as recognizable as possible.
The reverse side of the cards is where the heavy lifting really
came into play. “When we saw the text, we thought, ‘Oh, my god,
how are we going to fit all this?’” Lefebure says. There’s a substantial
array of items for each person: identifying characteristics, fun
facts, conservative credentials, greatest personal achievement,
greatest personal failure and quotable quotes. The lengthy text
could easily weigh down what’s essentially lighthearted play meant
to spark a lively discussion. To make matters worse, the word
count varies considerably from card to card. (Some GOP members
appear to have more skeletons in their closets than others.)
So Design Army developed a solution that’s both visually
appealing and user-friendly: A simple two-column grid augmented
with boxes, lines and arrows breaks up text with ease, no matter
what the length. The approach separates copy into bite-sized
chunks buyers might read out loud at a cocktail party. But these
choices are also a textbook example of content-driven design, subtly
mimicking the look of the voting ballots that became so controversial
in the 2000 presidential election. It’s another detail
intended to appeal to a liberal audience.
WHILE THE DESIGN TEAM DIDN’T CHOOSE THE DECK’S SUBJECTS,
THEY DID SPEND HOURS MAKING SURE THE COLOR PALETTES FLOWED WELL FROM ONE CARD TO THE NEXT.
This design also earns bragging rights for the way everything
works so well together. “Usually when we do a project, we’ll tell the
designer there’s one star per page,” Lefebure says. “Here everything
is important.” The layout allows all the elements—illustration, color
and text—to deliver a winning punch line together that might fall
flat in isolation. Former New York City mayor Rudolph Giuliani’s
beauty-queen grin, for example, seems funnier in a retro blue-and-brown
color palette. The text below lists his temper-management
rating and “Rudy the Rock” nickname to complete the effect.
All this harmony, however, doesn’t matter if busy shoppers
never buy the deck and break open the package. Since you can’t
open the box in the store, the outer shell needs to entice people
enough to part with $9.95. Five famous Republicans do the advertising:
Arnold Schwarzenegger looks like he’s flirting with Condoleezza
Rice, while Bush has his hand up to his mouth like Mini Me.
“Alex redid Bush two or three times, because it wasn’t quite right,”
Lefebure says, adding, “He can easily become too serious-looking.”
The color palette also makes a splash on the box, providing
quick shorthand that lets you know there’s wit inside. It’s
also important that the Name That Republican title plays so big.
This game show-esque title hints at the humor inside, and it’s
large enough to catch your eye when competing for attention on a
crowded shelf. The back of the box follows a format similar to the
back of each card—breaking up text into bite-size blasts of humor.
It provides a sneak peek at the deck’s tone while offering a preview
of the overall look and feel.
It’s refreshing that this project manages to be consistently
funny—and smart—in a way that’s never outright mean. The overall
effect is more Mad magazine than scathing op-ed or political
mud-slinging. It keeps the game fun and lighthearted rather than
heavy-handed. Lefebure, however, wasn’t concerned about the
design going too far. “I never worry about offending people,” she
says. “It’s better to present something over-the-top and have the
client ask you to tone it down than try to be conservative.” Sounds
like the perfect attitude for a project that’s decidedly liberal.
Then there’s the million-dollar question: Does Lefebure align
herself with the Democrats or Republicans? “I’m a Democrat,
but I can’t vote,” she says. “I’m a permanent resident.” Good news
for all 50 movers and shakers with their mugs in the Name That
Republican deck.
www.designarmy.com
www.chroniclebooks.com
Design Army | Designers: Pum Lefebure, Jake Lefebure, Julia Ames | Illustrator: Alex
Fine | Authors: Doug Mayer, Hamilton Street | Editor: Jason Scher (Chronicle Books) |
Project Manager: Anne Donnard (Chronicle Books) | Production Coordinator:
Michelle Clair (Chronicle Books)