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As Tiffany Meyers observes in her overview of the 100 winners, one can’t peg 2009 as the year of any specific color or typographic convention. But the winning projects are reflective of today’s increasingly diverse design discipline. In fact, one has to wonder if there is any longer such a thing as a design discipline—in light of today’s fast-changing and even amorphous practice, the word discipline seems a little out of place.
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STEP Design 100 Annual 2007: Editorial (cont'd)

48 WINTERHOUSE STUDIO
Through their firm Winterhouse, William Drenttel and Jessica Helfand publish books on design and culture in addition to their work on a leading design blog, Design Observer. But topics often pique their interest that don’t fit neatly into either type of publication—some are too visually involved for an online essay; some are too timely to wait for inclusion in a book.

So Drenttel and Helfand created a journal dedicated to ideas they deem “below the fold,” using a newspaper term for stories that are not quite front-page news. “We have so many book projects that we will never get to,” says Drenttel. “Below the Fold: was conceived as a way to create books more quickly,” and in a form with fewer encumbrances. Beyond the opportunity to indulge these explorations, creating the tabloid-sized publication was also an exercise in restraint, says Drenttel. “With so much free-form design everywhere, we wanted Below the Fold: to have a disciplined structure, template and typography,” he says. “This said, we will redesign Below the Fold: at the end of every volume—every four issues.” The third issue, a special collaboration with Lorraine Wild on the work of the Hungarian designer Imre Reiner, was recently mailed to subscribers, who receive the publication free of charge. by Alissa Walker

Winterhouse Studio | Art Directors: William Drenttel, Jessica Helfand, Lorraine Wild | Designer: Geoff Halber | Writers: Lorraine Wild, William Drenttel, Jessica Helfand | Client: Winterhouse Institute | Contact: www.winterhouse.com

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