
The design creates a brand family by combining distinctive
design for the different products with a strong central identity unified by color, typography, and humor. Each varietal has a differently shaped or colored bottle and a different illustration. For unity, all
the labels are set low on the bottle, all but two of the cork capsules
are cream-colored, and all the UPCs are worked into the illustrations
in clever ways. In fact, there are little visual jokes all over the
place, such as the year of the wine, 2002, set on the license plate of
a truck.
BLASTED CHURCH packaging shows the high points of the church-moving project, such as the engineer’s plan to loosen the nails with a controlled blast.
Other details support the products and the story. The earth
tones of the illustrations reflect the colors of the wines. The typography,
in a slightly tortured old style font, is tossed around like steeples
in a “controlled” blast, but you can read it because it’s big and is
generally set on monochrome backgrounds.
The name change and new packages were first steps. Brandever
followed them up with a marketing campaign with its own bits of
wit. The winery store isn’t a pseudo-chateau, but a log cabin with a
steep, snow-shedding roof, frankly adapted to the British Columbian
climate. Or how about the Midnight Service they host at the
annual Okanagan Fall Wine Festival? It’s not in the old church
(that probably would be blasphemous, even if Jesus did turn water
into wine). Instead, it’s in the winery’s cellar and features the Gospel
Experience Choir, food from Vancouver’s Memphis Blues Barbecue
House, and, of course, lots of Blasted Church wine.
The firm has also done more conventional promotion, entering
wine-industry competitions as far away as London and Los Angeles,
and getting extensive coverage for the owners in trade publications.
But any disciplined and experienced marketing team can do that:
Wit makes the difference here. Over the few years Brandever has
been in business, they’ve found that a witty name change and redesign
alone can boost sales as much as 525 percent. The key is to find
the right story. www.dirtylaundry.ca
EARTH’S END is a new winery in Southern New Zealand. The label shows the Maori war chant that their world-champion rugby team sings before each game.
For a vineyard whose new owners came from a background in
high finance, they chose the name Laughing Stock. The bottles
were screenprinted with small labels that look like stock listings—
the contraction LFNG sits over numbers for the vintage year. Other
text and numbers wrap around the bottles like ticker tape. The
name itself has a bunch of meanings. Laughing says entertainment;
Stock refers both to the inventory and the owners’ former careers;
the full phrase is slyly humble. Any negative connotations are
undermined by the sleek, delicate design.
www.laughingstock.ca
Then there’s the winery at the southern tip of New Zealand. The
name was easy: Earth’s End. But what of the label? This unknown
winery needed something that would get a lot of attention, fast. The
national obsession here is rugby, and the New Zealand All Blacks
happen to be world champions—undefeated for over a decade. They
open every game with a Maori war chant, “A, ka mate! Ka mate! Ka
ora! Ka ora!” (Will it be death? Will it be life?) Standing in a strong
half-squat, they slap their thighs, punch the air, scowl, pound their
chests, and generally scare the pants off the opposition. What better
theme for the end of the earth? www.otagowine.com
In every case, the witty story and presentation create powerful
distinction. As shoppers scan racks of wine or wine lists, the name
and the graphics stop them. “What does that mean?” They almost
have to pick it up and find out. Once they know the story, they’ll
never forget it. After that, it’s up to the wine.