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As Tiffany Meyers observes in her overview of the 100 winners, one can’t peg 2009 as the year of any specific color or typographic convention. But the winning projects are reflective of today’s increasingly diverse design discipline. In fact, one has to wonder if there is any longer such a thing as a design discipline—in light of today’s fast-changing and even amorphous practice, the word discipline seems a little out of place.
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INTERVIEWS/PROFILES
 
The 1990s in the former Yugoslavia were a time of war and deprivation. The Balkan Wars in that region caused some 130,000 deaths and affected millions of lives. From this terrible time of Slobodan Milošević’s regime came a project that continues through today to illustrate that art and design can help heal a war-torn community and become an international cultural event. 
Nov/Dec 2006
INTERVIEWS/PROFILES
Made in Serbia: Publikum Calendars of New Art
by Terry Lee Stone


Pop culture icon Björk is just one of many internationally renowned artists who have lent their support to the Publikum calendars. Artists are drawn to the project believing that creativity will help overcome war and isolation. These calendars are a private initiative in a Serbian society that has not been able to invest in its own culture for years. CALENDAR DESIGN: Mirko Ilić. IMAGE OF BJÖRK: Me Company.
The Publikum Calendar was developed by the FIA Art Group for the Belgrade-based offset lithographic printer, Publikum, under the creative direction of George Mill. Mill, who also practiced under the artistic name Stanislav Sharp as a photographer, conceived of this extraordinary project, along with his partner Nada Ray, as a means to promote Serbian culture. “All projects that I was working on in the ’90s were produced by my partner Nada who has served as the Publikum Calendar editor and project manager from the start,” says Mill. “We founded the FIA Art Group studio, which specializes in nonprofit and cultural projects, and have worked in collaboration with many other artists.”

The calendar pages have been filled with work created by over 100 Serbian designers, artists, and photographers including Slavimir Stojanović´, Borut Vild, Igor Oršolić, Aleksandar Kujucev, Goranka Matić, Vladimir Perić Talent, and Dragan Papić; as well as non-Serbians like illustrator Andrea Drezsö, designers Karlssonwilker, Mirko Ilić, and currently, Pentagram’s Paula Scher. Each of the calendars is given a unique title and is designed by a different person.

Since the calendar is a nonprofit project, all the artists generously donate their work free of charge. Over the years, Publikum has provided an unprecedented level of support for the project, allowing FIA and their collaborators to have complete freedom of expression. “We couldn’t have done it without their enlightened support,” says Ray, “They didn’t meddle—they trusted us. They provided unique corporate patronage in the truest sense.”

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