Last issue, we discussed some of the important changes that have taken
place in the design profession over the past 20 years. In this article, we’ll
look at what it takes for a design firm to rise to the top in today’s business
environment.
Even though your creative firm must have very specific expertise
within a particular design discipline, it’s vital to understand how
your work combines with that of others to create a unified experience
for your client’s customers. This need for big-picture thinking
has led to a certain amount of stratification within the profession.
At the lower end, there’s an emphasis on execution, such
as desktop publishing. These firms tend to have low-level client
contact and are tied to unit prices. Work that is repetitive or
rule-based is also subject to increasing automation and offshore
competition. This is in marked contrast to the higher end of the
profession, where leading firms are not simply vendors—they’re
trusted advisors to their clients at an executive level. They focus
on innovation and the development of intellectual property, taking
on unique challenges that involve cocreation with the client.
Providing a respected professional service with a high perceived
value allows them to charge premium prices that are primarily tied
to methodology. This type of consultative relationship requires
strong analytical and strategic abilities because, quite often, the
problem to be solved hasn’t been defined yet. These are sometimes
referred to as “unframed” problems. The design firm is asked to
deliver a business result, rather than a predetermined artifact.
Detailed research and careful ethnography are often needed to
gain new insights into the client’s markets. The design solution
might be a new type of communication, a new product or environment,
or perhaps even an entirely new business model.
To complete such projects successfully, a broad range of professional
skills may be required, including expertise in such nondesign
disciplines as anthropology, psychology, and sociology. This
poses a serious business challenge for design firm owners. You
have to make smart decisions about the optimal size for your company
and the most effective mix of internal and external resources.
LARGE FIRMS
If you decide to bring additional disciplines on staff, proceed with
caution. Trying to be everything to everybody isn’t a sustainable
business model—we learned that from the collapse of the one-stop
shops (discussed in the first part of this article). You’ll also
face operational challenges related to differing methodologies and
tools. Finally, you’ll take on the financial burdens of a larger office,
more equipment, and higher payroll.
On the other hand, there are some positive aspects to growth.
Perhaps the most important benefit of assembling a multidisciplinary
staff is that you’ll have more control over all aspects of projects.
You’ll be paying less to outside consultants, which means that
you may be able to achieve better profit margins—if your staff is
kept busy with a constant stream of appropriate new assignments.
Growth will place increasing pressure on you to market your
services effectively and generate new business. When talking to
prospective clients, you’ll be promoting the benefits of comprehensive,
integrated systems. However, you must be careful not to
overreach and take on challenges that don’t match your capabilities
or experience. There are significant dangers involved in promising
work that’s beyond your ability to deliver.
You’ll also find it difficult to bring in projects that draw upon all
resources equally. In practice, not every project needs every design
discipline. You’ll have problems with uneven staff workloads, which
means that you’ll also have to find small projects to fill in the gaps
for individual design disciplines that might otherwise be idle.
SMALL FIRMS
If you choose to stay small, you’ll have the opposite problem. When
you land a large multidisciplinary project, you’ll be forced to scramble
a bit behind the scenes to line up appropriate resources. This
involves supplementing your staff temporarily with freelancers and
outside firms. Hopefully this won’t be too evident to the client,
who’s likely to view a hastily assembled “virtual team” as too ad hoc
and untested.
As a small firm, you must be able to position yourself as an
expert manager of collaboration. One of your highest value-added
services is project leadership. You need to maintain your own network
of researchers, writers, information architects, and other
creative firms, and you must be able to partner seamlessly with clients
and their advisors in other professions, such as business consultants,
engineering firms, and systems integration firms. Project
leadership requires careful development of strong client relationships
with a high level of mutual trust and confidence.