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Design is a small planet, often self-referential, with well-worn paths for exposition, criticism and analysis. When we contemplated devoting an issue to self-promotion, we were acutely aware of certain tropes. The usual way of portraying self-promotion by designers would be to focus on the projects they use to market themselves and their firms—the postcards, the tchotchkes, the e-newsletters, etc. But we decided right away this issue would not be about that stuff.
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Countless couples swear that separate careers are the key to a lasting relationship, and for those who do it’s probably true. The lifestyle of couples working together is as old as the earth, whether working the farm, running the grocery, or being Lucy and Desi. Here, six design couples offer a glimpse into the blending of their personal and work lives, each a modern example of living “over the shop.” 
July/August 2006
INTERVIEWS/PROFILES
Dynamic Duos
by Romy Ashby

KARIN HIBMA AND MICHAEL CRONAN
CRONAN, BERKELEY, CALIF.
LENGTH OF RELATIONSHIP: 32 YEARS

Michael Cronan and Karin Hibma met in an art and mythology class at Sacramento State College, now CSUS. They had everything in common and still do.

“For years we had design offices and our solution to having our lives be together was to work together at the office,” says Cronan. “Now we live and have our studios on the same property. Life and work are the same, aren’t they?”

“Michael is as fascinating in his intensity and enthusiasm for his work as he was when I first met him,” says Hibma. What’s changed most dramatically in their 32 years together is the business.

“What was once an art form—research, requiring knowledge of resources, and of course, access to them—is now a simple check of a few search engines,” Hibma says. “What was once a few days to exchange paper documents by mail went through the innovation of fax machines to the immediacy of e-mail. We can meet with our clients and associates online. As a result, for us, design has become less about images and more about strategic thinking and innovation. We’ve worked on all sorts of projects, including designing and marketing our Walking Man clothing.” Another major project for TiVo—naming it—was a great experience for the duo. “TiVo … is a plum because it’s so familiar to both design-world folks and even our friends and family, and it’s become a household word,” Hibma adds.

Art runs in the family. Son Nick is a senior industrial designer at Fuse Project, and younger son Shawn is in his second year at CCA with a double major in sculpture and furniture design.

For inspiration, Cronan and Hibma visit galleries and museums. “We do a lot of brainstorming together,” says Cronan of their work partnership. On the personal front, he says, “I love to cook but Karin is so much better at it, and we live just up the hill from Berkeley’s ‘gourmet ghetto.’”

Is there ever friction as a result of living and working so long together? “Always!” Hibma exclaims. For them, even friction is positive. “Wikipedia defines it as the ‘Energy of friction,’” she says.

www.cronan.com | www.michaelcronan.com | www.walkingman.com

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