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As Tiffany Meyers observes in her overview of the 100 winners, one can’t peg 2009 as the year of any specific color or typographic convention. But the winning projects are reflective of today’s increasingly diverse design discipline. In fact, one has to wonder if there is any longer such a thing as a design discipline—in light of today’s fast-changing and even amorphous practice, the word discipline seems a little out of place.
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INTERVIEWS/PROFILES
From Right to Wrong to Right Again (cont'd)
4. IDENTIFY THE BIASES THAT CREATE THE STATUS QUO. At the core of thinking wrong is discovering and overcoming the biases that seem legitimate and normal but limit what we can and should do. The limiting effects of our biases need to be countered by thinking wrong—to move us away from the status quo and toward unexpected solutions that bring our clients closer to their aspirations, not just to the deliverable.




WHAT WE MEAN BY BIAS, AND SOME KILLER ONES YOU MIGHT RELATE TO.
A bias is an unintentional prejudice, learned and reinforced over time, that leads us to think and act in predictable patterns. Though we might not be consciously aware of them, we tend to be good at justifying them when challenged, based on assumptions and beliefs about how the world works. Biases often masquerade as common sense. Here’s an unscientificfic sample of biases that plague designers (and other humans):

Bias Limiting effects for designers
(reinforce the status quo by discouraging exploration)

Loss aversion: It’s better to avoid a loss than to realize a gain.

Fear; reluctance to pursue options even when their rewards might outweigh their risks

The mere-exposure effect: What’s familiar to me is probably also familiar to lots of other people, so that makes it preferable to< the unfamiliar.

Self-satisfaction; the assumption that what you don’t know isn’t worth knowing

Anchoring: The tendency to rely too heavily on one trait or piece of information when
making a decision.

Incrementalism; creative solutions tend to be minor variations on established styles/trends; sameness

Trait ascription: When they made me they broke the mold, but other people are pretty ordinary and predictable. Conceit; you patronize your audience

The in-group bias: I give special treatment and consideration to anyone I perceive to be a member of my own group.

Clubbiness; you put down your competitors and patronize your clients and their customers

None of these apply to you? Maybe you suffer from “bias blind spot”—the tendency not to compensate for one’s own cognitive biases.

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