Nicholas Negroponte has been beating the bushes at tech and design
conferences and just about anywhere he can get public and press attention
to help realize his “impossible dream,” a $100 laptop. Impossible as
it may seem, his vision for “one laptop per child” (starting in 2006 with
7 million units and ramping up in following years to 100 million per
year) is not just a pipe dream. Major corporations and organizations
have signed on to bring the $100 laptop to fruition, beginning in China,
India, Brazil, Argentina, Egypt, Nigeria, and Thailand. The laptops will
be sold to governments and issued to schoolchildren. The $100 laptop
is being developed by a nonprofit organization (One Laptop Per Child)
created by faculty members from the MIT Media Lab. OLPC is based
on “constructionist” theories of learning pioneered by Seymour Papert
and later Alan Kay, as well
as the principles expressed
in Negroponte’s book Being
Digital. The founding corporate
members are Advanced
Micro Devices (AMD),
Brightstar, Google, News
Corporation, Nortel, and
Red Hat.
DESIGN CONTINUUM, chosen to design the form of the laptop, tested many prototypes.
The long-term solution to all the world’s ills, from world peace to
the environment to hunger to poverty, posits Negroponte, is education.
Internet access will provide a window to the world beyond
the immediate landscape, and connectivity will provide a sense
of community. Laptops are a learning tool with which to think;
useful for work and play, drawing, writing, music, telephony, and
mathematics. They are a wonderful way for all children to “learn
learning” through independent interaction and exploration.
Why a laptop? Negroponte says, “Mobility
is important, especially with regard to taking
the computer home at night. Kids in the
developing world need the newest technology,
especially really rugged hardware and innovative
software. Recent work with schools in
Maine has shown the huge value of using a laptop
across all of one’s studies, as well as for play.
Bringing the laptop home engages the family.”
Since many third-world villages do not have
electricity, the laptop will be powered with
various methods, including a crank. It will be
connected to the internet using wireless broadband.
Each laptop will also work as part of a
local area “mesh” network, allowing each computer
to talk to its nearest neighbors.
The $100 LAPTOP also functions as an e-book. Texts can be provided for far less expense than the cost of traditional textbooks; this is an important part of the strategy behind the promulgation of the $100 LAPTOP. The screen will be readable even in sunlight, with proprietary technology developed by MIT’S Media Lab.
The $100 laptop will not use the expensive components of conventional
laptops. There will be a number of intriguing features,
like the ability for the screen to be readable in sunlight using a
rear-projection screen or a kind of “electronic ink” invented at
the MIT Media Lab. It will be usable both as a computer and as
an electronic book. The laptop will be loaded with Linux and
other open-source software and will have a 500Mhz processor
and 128MB of DRAM, with 1GB of flash memory. It will not have
a hard disk, but it will have four USB ports. While it will not be
able to store large amounts of data, it will have almost all the other
capabilities of a $1,000 laptop.
“It will work at lightning speed,” said Negroponte
recently on CNN’s The Charlie Rose
Show. “And there will be companies that will
develop peripherals for it, like hard drives. We
expect to be able to offer an external DVD
drive for $10. At first everyone thought the
$100 laptop couldn’t be done; now I have manufacturers
and developers calling me with ideas
about how it can be even cheaper.”
The laptop’s design has been overseen by Kenneth Jewell,
design strategist and envisioner at Design Continuum. “Great
design is the secret ingredient to the $100 laptop,” he says.
“Designing the right experience for students all over the world was
our goal, and to do it for a low cost was only one of many requirements. To create a successful product, the team considered much
more than cost reduction; we thought hard about a day in the life
of a student, from classroom to bedroom.
Variations in shape and size were finalized in the prototype, and the color green became an essential component of the laptio’s identity. The handcrank is capable of powering the laptop in locations where electricity is scarce or nonexistent.
“We had to provide nothing less than a fully functioning laptop
for students so they will have access to tools and information.
Second, we had to bend our traditional ‘laptop rules’—unlike my
Apple Powerbook, this $100 laptop will function like an eBook to
curl up in bed with; it will seal up to be rugged and splash-resistant
and, of course, if you don’t have access to a traditional power
source, it is designed to be charged up with a hand crank. Finally,
the design had to work within the $100-per-unit price structure.”
Why the color green? “We wanted an iconic
look for the $100 laptop and color is a bold
statement. Green is associated with growth
and life around the world. We also liked how
Seymour Papert refers to students as having
‘grasshopper’ minds. Color choice communicates
tone, speaks to an audience, and creates a
persona for a product. Green felt right to introduce
the $100 laptop to the world. However,
we always felt that the $100 laptop was more
like a sneaker than a typical computer; we envision
future laptops to come in a rainbow of
options to reflect the variety and individuality
that each student deserves.”
For years sociologists have been talking about “the digital
divide,” the inequities between rich and poor nations’ access to
information technologies. If education and internet access can
indeed be brought to the poorest and most remote villages on
earth, this may very well be a turning point in time for world politics.
With the momentum of significant megacorporations behind
him and initial commitments from major governments, the realization
of Negroponte’s impossible dream may turn out to be
nothing less than a revolution in the making.
http://laptop.media.mit.edu