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As Tiffany Meyers observes in her overview of the 100 winners, one can’t peg 2009 as the year of any specific color or typographic convention. But the winning projects are reflective of today’s increasingly diverse design discipline. In fact, one has to wonder if there is any longer such a thing as a design discipline—in light of today’s fast-changing and even amorphous practice, the word discipline seems a little out of place.
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Packaging design winners from STEP inside design's 2006 design annual. 
March/April 2006
STEP Design 100 Annual 2006: Packaging

34. WERNER DESIGN WERKS
The client mandate was clear: No parrots, parties, pirates, or palm trees. Instead, the bottle for 10 Cane Rum needed to reflect its desired market position as a super premium liquor—one designed for mixing drinks rather than sipping. “One of the phrases they used a lot was ‘redemption of the classic cocktail,’” says Sarah Nelson, a designer at Werner Design Werks. “We wanted it to feel like a decanter.”

As a result, a lot of time was spent focusing on how the bottle felt in the hand. A grip, for example, was added at the neck to make it easier for bartenders to pour. Since the rum is made in Trinidad, a crest was created to represent the Caribbean rum-making tradition and the heritage of Moët Hennessy. A bright orange label provides a modern contrast and helps the bottle grab attention in dimly lit clubs and bars.

The overarching goal was to create a bottle that felt classic and traditional rather than trendy; designers didn’t want it to look cool on the shelf today and dated in a few years. The accompanying launch kit for the rum is simple and basic, Nelson says, because potential buyers don’t have a lot of time to read copy. One of the elegant white folder’s main features is a series of info pages designed to be stuck in a three-ring binder—each covers a basic topic (“What is 10 Cane?”) in a highly visual presentation. But the project did have a small downside: The designers only recently got to sample the rum, which was still under development during the design process.
Michelle Taute

Werner Design Werks
PACKAGING—ART DIRECTOR: Sharon Werner
DESIGNERS: Werner, Sarah Nelson
ILLUSTRATOR: Elvis Swift
CLIENT: Moët Hennessy
LAUNCH KIT—CREATIVE DIRECTOR: Linus Karlsson
ART DIRECTOR: Werner
DESIGNERS: Werner, Nelson
COPYWRITER: Todd Lamb
PHOTOGRAPHER: Lars Topelman
CLIENT: Mother NY
CONTACT: www.wdw.com

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