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As Tiffany Meyers observes in her overview of the 100 winners, one can’t peg 2009 as the year of any specific color or typographic convention. But the winning projects are reflective of today’s increasingly diverse design discipline. In fact, one has to wonder if there is any longer such a thing as a design discipline—in light of today’s fast-changing and even amorphous practice, the word discipline seems a little out of place.
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INTERVIEWS/PROFILES
Memorable Moments: Women Working in Design, 1900–1980 (cont'd)

1970s
CBS Records
Designers Henrietta Condak, Paula Scher, Carin Goldberg

Produce and art direct ads and album covers for the company


1970
Paula Scher | American (1948– )

Graphic, Packaging, and Environmental Designer
Begins career designing record covers as art director for CBS and Atlantic Records

During the 1970s Paula Scher and Henrietta Condak worked in the packaging department designing and art-directing album covers for CBS Records. A time of tremendous success for the company, the work pace was relentless with Scher doing over 100 covers in a year. The aesthetic was for a polished product. While Scher experimented with imagery and visual puns, Condak’s work tended to be more conservatively sophisticated. For the hundreds of record covers that they designed or art directed, the pair commissioned unknown and underground illustrators as well as known artists such as Milton Glaser and Seymour Chwast. memorable women


ART AND ENVIRONMENT poster: Jacqueline Casey, courtesy MIT Museum
1971
Jacqueline Casey | American (1927–1991)

Graphic Designer
Seventeen of Casey’s posters are featured in Print magazine’s competition Poster USA: 1960–1970 the second-largest number by an individual or studio

Jacqueline Casey joined the Office of Publications (Design Services Office) at Massachusetts Institute of Technology (MIT) in 1955 under design director and fellow Massachusetts College of Art alumnus Muriel Cooper. When Cooper left to join the MIT faculty in 1972, Casey became director of the Office of Publications. Influenced by Swiss design, Casey is best known for the posters she created to publicize MIT events and exhibitions. Her high contrast, type-heavy compositions were intended to stand out on already cluttered university bulletin boards. She often used manipulated letterforms for primary text, and set the supporting information in smaller type.

1971
Katherine McCoy | American (1945– )

Graphic Designer, Educator
Becomes cochairperson with husband Michael of the department of design at the Cranbrook Academy of Art

1974
Sheila Levrant De Bretteville | American (1940– )

Art Historian, Graphic Designer, Public Artist
Designs Women in Design: The Next Decade for an exhibit at The Woman’s Building in Los Angeles (a place for women to exhibit art) which she cofounded with Judy Chicago and Arlene Raven

1975
Muriel Cooper | American (1924–1994)

Graphic Designer, Educator, Researcher
Founds the Visible Language Workshop, part of MIT's Media Lab

1977
Sara Giovanitti | American (19??– )

Graphic Design, Art Direction
Works as design director for The Boston Globe (1977-1983)

1978
Mary Faulconer | American (1912– )

Illustrator, Designer
Designs U.S. Commemorative “Rose” stamp

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