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As Tiffany Meyers observes in her overview of the 100 winners, one can’t peg 2009 as the year of any specific color or typographic convention. But the winning projects are reflective of today’s increasingly diverse design discipline. In fact, one has to wonder if there is any longer such a thing as a design discipline—in light of today’s fast-changing and even amorphous practice, the word discipline seems a little out of place.
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INTERVIEWS/PROFILES
Memorable Moments: Women Working in Design, 1900–1980 (cont'd)

1900
Margaret Neilson Armstrong | American (1867–1944)

Book Designer, Writer, Artist
Designs The New Pacific (New York: The Bancroft Co.)

1903
Amy M. Sacker | American (1872–1965)

Book Designer
The Book Plates of Amy M. Sacker is produced by Charles E. Goodspeed at Troutsdale Press of Boston

1904
Clemence Housman | British (1861–1955)

Engraver, Artist, Writer
Engravings are included in The Blue Moon by Laurence Housman (London: John Murray)

1906
Lucia Mathews | American (1870–1945)

Artist, Printer, Designer
Cuts designs for Philopolis (1906–1919) a magazine she copublished with her husband Arthur

1907
Mary Lowndes | British (1857–1929)

Artist, Designer, Suffragist
Establishes The Artists’ Suffrage League (1907) to create posters, postcards, and banners for suffrage events (Lowndes is chairperson)

The Artists’ Suffrage League


SHORTHAND WRITERS BANNER, Mary Lowndes 1908 ©The Women's Library Suffrage Banners collection
The Artists’ Suffrage League was founded in 1907 as a society of professional women devoted to the cause of women’s enfranchisement. Led by chairman Mary Lowndes, the group of mostly middle-aged established artists donated their time and skills to produce posters, banners, postcards, Christmas cards, and leaflets for use in Britain and the United States. Two years later a parallel group, The Suffrage Atelier, was formed to “train in the arts and crafts of effective picture propaganda for suffrage.” Members received instruction in drawing, illustration, and banner-making and learned practical skills such as engraving and hand printing so that the group could quickly and cheaply produce high-quality propaganda. The Atelier was run by women “who make their own designs, cut blocks, and do the printing,” dressed in “a bright blue workmanlike coat, a black skirt, and big black bow.”

1908
Elizabeth Cobet Yeats | Irish (1868–1940)

Publisher, Typesetter, Designer, Illustrator
Takes over publishing aspect of Dun Emer Industries (whose products included hand-printed books, embroidery, tapestries, and carpets) and renames it Cuala Press (1908–1946)

1909
The Suffrage Atelier

“An Arts and Crafts Society Working for the Enfranchisement of Women” founded by Clemence and Laurence Housman The society publishes the poster The Law and the Mother illustrating unequal representation for women and mothers

1913
Annie (Lou) Rogers | American (1879–1952)

Cartoonist
Creates The Judge—antiwar pro-suffrage cartoon

1916
Emma Redington Lee Thayer | American (1874–1973)

Book Designer
Designer at Decorative Designers (firm 1895–1931) Designs Warwickshire Lad: the Story of the Boyhood of William Shakespeare (DfiAppleton & Co.)

1916
Nell Brinkley | American (1888–1944)

Artist, Illustrator
Creates illustration The Three Graces with text—“Any man who loves and reveres his mother and his country should idolize, if he worship at all, the three graces, Suffrage, Preparedness and Americanism.”

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