SUSANA RODRIGUEZ DE TEMBLEQUE
Susana Rodriguez de Tembleque may have one of the most unusual jobs in graphic design. As an executive creative
director at Stone Yamashita Partners in San Francisco, she’s in charge not only of the company’s creative
output but also its creative thought process. “I’m like a broken record,” she says. “What’s the story? What’s the point? What’s the emotion
here? I’m trying to elevate the thinking to a higher level.”
In essence, her job is to push for the big ideas. Rodriguez is a painter by training, and she credits her fine-art background with making
her a natural storyteller. It’s a skill that’s helped her find success in a company known for strategy work as much as design. During ideageneration
meetings, for example, Rodriguez presses for concepts that are not only smart and logical but also engaging and emotional.
Working at Stone Yamashita gives her the opportunity to collaborate with clients for months and years at a time. She worked on a
project with Gap, for example, that completely refocused the brand. In a 360-page book, the firm told the story of where the clothing
retailer had been, why it existed, and what it really stood for. “It was giving them back a passion for what they did,” she says. “The book
really became the definition of Gap.”
It was an odd twist of fate that originally pushed Rodriguez into graphic design. After studying fine art in the United States, she
returned to her native Spain, and at 22, she was set to get married. But she called things off two days before the wedding, and her tough
decision turned into an unlikely job offer. One of the female guests owned an advertising agency, and she told Rodriguez: “I was married
at 19 and divorced at 20. I should have done what you did. Come work for me.” It was a chance opportunity that Rodriguez built into an
impressive career.
After learning the basics, she returned to the U.S. and did type work for Carlos Segura in Chicago. From there she spent three years
at VSA Partners then followed her husband to the San Francisco Bay area. Wired magazine was hiring at the time, and she spent four
years as design director just after its purchase by Condé Nast. Two years ago Keith Yamashita gave her a call, and she’s worked with his
company ever since. “I feel very passionate for the place where I work,” she says. “I am completely committed to making this place grow
and engaging with clients the way we do.”
TOP: Two spreads from a 360-page brand book for GAP. As Rodriguez puts it, the book was “created to move the hearts and minds of every GAP employee to return the brand to greatness.” BOTTOM: This book articulates GAP Inc.'s new Forth & Towne brand for women over 35. It captures the brand's voice, look, feel, humor, and messaging.
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