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The saying is: Money makes the world go around. Fair enough—the lights
have to stay on. The essential emollient, money manages to insinuate itself
into all of our lives. And those who refuse to entertain the reminders that
design is a business—whether it’s conducted in a studio, in-house or freelance
setting—are always welcome to join the Starving Artists Guild.
» Continue
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From Annuals to Manuals (cont'd) |
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Emotion as Promotion: A book of Thirst by Rick Valicenti (ed.)
Parched for lack of innovative design? Emotion
as Promotion, the first monograph of the
design group Thirst, spans numerous genres
and maintains the snarky Thirst voice
throughout. The design collective’s hallmarks
include striking color photographs,
creative computer manipulation, the use of
new media, and challenges offered to the
reader, viewer, and client. Typography also
plays a major role—a new font, Infinity, was
designed by Thirst especially for this book.
Emotion as Promotion is explained by the
publisher as “an exuberant manifesto, a collective
autobiography, and a brutally honest
heart-to-heart.” Readers get a fly-on-thewall
view of the design group and its inner
daily workings as Thirst principal Rick
Valicenti and his colleagues share recollections
of each project. With humorous client
assessments, Thirst shows us the end result
and all stages in between. If you’ve had
a hard time figuring out this unique design
group, this book does well to enlighten.
$60, hardcover, 352 pages, The Monicelli Press
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Plates + Dishes: The Food and Faces of the Roadside Diner by Stephan Schacher
Looking for a quick summertime
read? Try Plates + Dishes, a quirky
travel journal of sorts by photographer
Stephan Schacher. “Bored
with conventional travel and the
boundaries of recognized photography,
I set out two years ago on a
journey that I would never forget.
I wanted a challenge, and indeed,
it turned into one. I decided I was going to photograph every
single meal I ate and each and every waitress serving me on a
journey through North America,” explains the author in his introduction
(cleverly entitled, “My Way on the Highway: Food
for Thought”) regarding the premise of the book.
Through Schacher’s introduction, you get a sense of the
stories behind the little diners, their regions, food, and serving
sta.. The rest is simply a series of pictures of meals alongside
snapshots of waitresses (nope, no men included, for better
or for worse). Each chapter is summed up by a spread of guest
checks from each restaurant, a map of the states involved, and
travel ephemera—sayings, notes, icons, logos, terms, even a
bill with what appears to be a waitress’s number on it.
$16.95, softcover, 184 pages, Princeton Architectural Press
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Project: Superior by Chris Pitzer (ed.)
Calling all comic book lovers!
Have no fear, Project: Superior is here. As editor Chris
Pitzer puts it, it’s “the anthology
devoted to heroes
that are super.” From Jeffrey
Brown’s Aw Shit, It’s a Cycloctopus
to Scott Campbell’s
Pretty OK Team to Jim Mahfood’s
One-Page Filler Man,
Project: Superior includes both funny and peculiar
takes on the comic book genre.
Evil geniuses with master plans, mutated
freaks with extraordinary super powers, and
do-gooders of all types are examined in these
short stories—in quick, comic book form, of
course. The makers of this book “set about
making a list of people we thought could make
some kick-butt comics, contacted them, and
here we are,” according to Pitzer’s introduction.
“We’ve got all types of stories in here,
from all types of people. All of us trying to be
something a little more than we are.”
$19.95, softcover, 288 pages, Ad House Books
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Type One: Discipline and Progress in Typography by Silja Bilz et al (eds.)
Typography today exists in conflict with classical font design and contemporary influences such as analog distortion, screen applications, street culture, deconstruction, hand lettering, and illustrative letterforms. Type One not only presents an overview of the diversity in current typography, but it also reveals where conventions have become established and where valid new approaches exist. In addition to a large selection of typefaces and their colorful applications, the book features articles by and interviews with international experts such as François Rappot, House Industries, Norm, and Professor Tanja Diezmann. Topics range from the democratization of the font creation process by the computer to how much existing approaches are based on the same fonts. Texts are edited and commented upon by Silja Bilz, who was former project and product manager for Corporate Type at the renowned Linotype Library. While Type One provides practical context and examples, it also investigates the experimental and inspirational side of font design. This combination makes it an essential resource for anyone seeking an up-to-date exploration and understanding of typography.
$69, hardcover, 224 pages, Die Gestalten Verlag
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