Sloppy language plagues the conversation about copies and copying.
Many very different terms are used almost interchangeably.
Even experts on related issues can be guilty of sloppy verbiage.
Tad Crawford, despite being an attorney, the publisher at Allworth
Press, and the author of legal guides for designers, starts his
article, “What Steps to Take When Your Work Is Plagiarized,”
with the statement: “The copyright law forbids the plagiarism of
creative work.” 1 Wrong. The copyright law does not forbid plagiarism.
Certain instances of plagiarism may be illegal, but plagiarism
itself is not.
I’m not going to deal with the interlocking legal issues of copyright,
patent, trademark, trade dress, and business practice law.
That’s another article. I hope that graphic designers care about
the issue of copying beyond legal standards. But to have any conversation
we need to start out using language more precisely.
Plagiarism is the passing off of someone else’s creation as one’s
own. The act of copying (legal or illegal) is not plagiarism. The
plagiarism is in making someone believe (or letting someone
believe) a lie about authorship. If you put your name on a Shakespeare
sonnet, then that is plagiarism, but it would not be illegal.
Since Shakespeare’s work is in the public domain, there is no copyright
issue involved. On the other hand, if you photocopy this article,
include all publication information, and credit it to me but fail
to get permission, you have probably infringed on my copyright
but you have not committed plagiarism. It’s also worth noting that
standards of plagiarism are not universal.
Since plagiarism is an ethical issue rather than a legal one,
the standard of what is plagiarism can vary from situation to situation.
An academic institution is likely to be among the most stringent
about what constitutes plagiarism (although not always the
most insistent on the production of fully original contributions).
Since one of the core purposes of universities is the production
and preservation of knowledge, anything that muddies the record
runs counter to institutional goals. Careful footnoting that would
not be expected in this magazine, for instance, helps preserve and
build the history and understanding of ideas and is required in academic
writing.
For example, Martin Luther King’s plagiarism in his doctoral
thesis was serious and cannot be explained away as naiveté or as a
petty attack on a great man.2 The same borrowing of words without
attribution would probably not have been an ethical problem
in a sermon, however. The weaving of unattributed literary, social,
and biblical allusions is the stuff of great clerical rhetoric.
Top left: Kieron Dwyer’s “consumer whore” logo is clearly a parody of
Starbucks. Its adoption of the Starbucks logo form is essential to the point
It makes.
Top right: These copies of the Tide detergent box could not be called plagiarism
Since the borrowing from the original is open, but are also not parody
Since they are not poking fun at the specific brand image that is being used.
1 http://www.allworth.com/Articles/article05.htm
2 King received his doctorate from Boston University in the 1950s. In the early 1990s researchers
discovered apparent plagiarism in his thesis—a long passage paraphrased without attribution. BU
provost Jon Westling appointed a committee of three professors in the BU School of Theology
and one from American University. They recommended that a letter be attached to King’s dissertation
in the university library, noting that numerous passages lacked appropriate quotations and
citations of sources. The committee said that “no thought should be given to the revocation of Dr.
King’s doctoral degree from Boston University” and the assertion that despite its flaws, the dissertation
“makes an intelligent contribution to scholarship.” “Panel confirms plagiarism by King
at BU,” Charles A. Radin, Boston Globe, Oct. 11, 1991.