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As Tiffany Meyers observes in her overview of the 100 winners, one can’t peg 2009 as the year of any specific color or typographic convention. But the winning projects are reflective of today’s increasingly diverse design discipline. In fact, one has to wonder if there is any longer such a thing as a design discipline—in light of today’s fast-changing and even amorphous practice, the word discipline seems a little out of place.
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EDUCATION
Field Guide To Emerging Design Talent 2005 (cont'd)

Rejected concept for the St. Bride “Bad Type” conference in London, Oct. 2004, using a prototype of her font Restraint. “They loved it, then chickened out. Too bad, because these were going to be bitchin’ T-shirts.”

003 MARIAN BANTJES
LATIN NAME: Ornamentalis Obsessivitae
AGE: Not yet extinct

DESCRIPTION:
A self-taught designer of 10 years, Marian Bantjes says she has a foundation built on a “kind of apprenticeship” as a book typesetter and layout artist (“I have stripped lots of repro,” she adds). She designs and writes for the Society of Graphic Designers of Canada (GDC/BC) and is on the BC Board. She teaches typography through the Emily Carr Institute in Vancouver and writes for the design weblog Speak Up.

Bantjes is currently developing her first font with Ross Mills of Tiro Typeworks, for whom she previously designed a set of ornaments, and she’s recently done illustration for Details magazine.

VOICE:
“My relationship with design is volatile and prone to ecstatic embraces and violent breakups,” Bantjes admits about her career choice. “Two years ago I reached a crisis in my career and no longer felt connected to the work. I sold the studio to my partner and thought I had left design. Partly through Speak Up and partly by connecting with talented and passionate people, however, I’ve become more deeply involved than I was before. My art explores human relationships and the emotional manifestation of words; my illustration explores pattern and ornament; and my design is attempting to communicate nonintellectually, whatever that means. These three things are still groping around trying to find each other. That’s the song I’m singing today, anyway.”

DISTINCTIVE MARKINGS:
“When it comes to ornament and pattern, I try to avoid the trap of ‘purely pretty’ by combining my interests in baroque, graffiti, writing, medieval art, science fiction, sex, typography, spatial drawing, kitsch, and humor. I like things that are diabolically complicated.”

HABITAT:
“My studio is located on a small island in the Straight of Georgia, near Vancouver, Canada—this is what the internet is for,” notes Bantjes. “It is messy and woody and warm and light, but sometimes a little lonely—also what the internet is for.”

SPOTTED BY:
Noreen Morioka, AdamsMorioka, Los Angeles: “I think that great creative cooks down to smart thinking and excellent execution. Marian pulls both together with a beautiful twist of brilliant artistic talent. I think she’ll be the Doyald Young of her generation and perhaps, just maybe, she’ll inspire a generation to pick up a pencil and see beyond a keyboard.”

CONTACT:
604.947.9107 | www.bantjes.com

Written by Marcy Slane

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