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As Tiffany Meyers observes in her overview of the 100 winners, one can’t peg 2009 as the year of any specific color or typographic convention. But the winning projects are reflective of today’s increasingly diverse design discipline. In fact, one has to wonder if there is any longer such a thing as a design discipline—in light of today’s fast-changing and even amorphous practice, the word discipline seems a little out of place.
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EDUCATION
Field Guide To Emerging Design Talent 2005 (cont'd)

This fresco on glass was commissioned by the Jules Verne School in Val Serris, right next to Disneyland. Teschner developed a childhood vocabulary much different than the overproduced Walt Disney pictures.

020 FRÉDÉRIC TESCHNER
LATIN NAME: Lost in translation
AGE: 34

DESCRIPTION:
Born in Thiais, France, Frédéric Teschner graduated from the École Nationale Supérieure des Arts Décoratifs de Paris. He began working with Pierre Di Sciullo, then with Pierre Bernard. Those collaborations encouraged Teschner to challenge his own methods of exploring the possibilities of graphic design, to master several means of expression (drawing, photography, typography), and various types of visual communication such as posters, books, and exhibition signage. Teschner’s been working solo since 2000. His projects include a poster for the Ronan and Erwan Bouroullec exhibition at the Design Museum of London, a monographic book for designer Martin Szekely, and an installation in the Villa de Noailles in Hyères with designer Jean-Francois Dingjian. These pieces encouraged him to work at the crossroads of graphic design, art, and architecture. He designed signage and the catalog for an exhibition at the Centre Pompidou in Paris, the starting point of an enduring working relationship with the museum.

VOICE:
“I think that the best things I’ve created are those that gave me the most pleasure in the process,” the designer says. “I have the desire to progress very quickly, because de toute manière, on ne s’en sortira pas vivants [‘anyway, no one gets out of here alive’].”

DISTINCTIVE MARKINGS:
“I like to work with people of different creative sectors who have respect for and trust in the graphic designer’s work,” explains Teschner. “This way the designer can find his own best way to communicate without preconceived ideas. Nonetheless, my first wish is to serve the client’s image, not mine.”

HABITAT:
Teschner lives and works in Montreuil, a suburb outside of Paris, in a big studio that used to be a syndicate office. “I like this town,” he says. “It’s very mixed socially, and I had the opportunity to rent a larger space for less money than I would have paid in Paris.”

SPOTTED BY:
Pierre di Sciullo, French experimental typographer: “I like his work very much and he is a kind man.”

CONTACT:
+33.1.4857.9894 | www.fredericteschner.com

Written by Marcy Slane

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