When Roger Tory Peterson published A Field Guide to the Birds
in 1934, its simple but effective premise forever changed the practice
of bird spotting. What the field guide did, as David Reinfurt
—a designer featured in last year’s Field Guide—points out in
his excellent essay on the origins of this genre (dot, dot, dot, issue 6)
was to switch the emphasis in the process of identification from
biology to typology. Now, using formal characteristics to distinguish
species, birds could be spotted in action—in the field.
Here, documented for your easy reference are details of the
natural habitats, distinctive markings, calls, and flight patterns
of 25 representative examples of today’s most talented fledgling
designers, nominated by a committee of distinguished international
designers and educators.
The first thing to note is that they are actually out there in
the field. Of this representative sampling of 25, all but one are running
their own businesses. The firms range in scale, certainly. One
designer refers to her budding practice as “mostly an idea”; others
are working at established design studios while building empires
in their spare time and spare room. Some in less harsh climates
are already fully launched. Strikingly evident among these independents
is a refusal to specialize. Instead, what is valued most is
ambidextrous exchange between the realms of art, print, motion,
type, illustration, fashion, product, and writing. This multitasking
sensibility is endorsed both by current thinking in design education,
where there are growing numbers of transdisciplinary
courses, and by an increasingly imperialistic design culture.
As part of this diversification, many designers have started
ancillary enterprises such as a gallery space in Brooklyn, or a series
of design lectures at Palais de Tokyo in Paris. Others spend time
writing, photographing, and creating their own publications about
swimming pools or tower cranes, assembling a design boutique in
a Berlin shop front or online, or authoring discussion on the design
blog Speak Up. None of these activities is treated as tangential or
a hobby; instead, in an increasingly competitive industry, they
become the defining, passion-fueled characteristics of a design
firm—how we tell if they’re a species apart.