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Design is a small planet, often self-referential, with well-worn paths for exposition, criticism and analysis. When we contemplated devoting an issue to self-promotion, we were acutely aware of certain tropes. The usual way of portraying self-promotion by designers would be to focus on the projects they use to market themselves and their firms—the postcards, the tchotchkes, the e-newsletters, etc. But we decided right away this issue would not be about that stuff.
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INTOLERABLE BEAUTY
The average size of a Chris Jordan print is 44 x 56 inches, which is audaciously excessive, as his photographs are intended to reveal the wastefulness of individual consumption. But while bigger is not always better (for the sake of art or the environment), Jordan’s take on the piles of crushed cars at junkyards, and rusted shipping containers sitting on apparently insecure ports is stimulating. It finds beauty in the design of debris. The exhibition “Intolerable Beauty: Portraits of American Mass Consumption” is on view at the Paul Kopeikin Gallery in Los Angeles until March 12. Additional solo shows will be held at the James Nicholson Gallery in San Francisco in May, and the Yossi Milo Gallery in New York in September.www.chrisjordan.com


Figure 3b
ROVING PHOTOGRAPHER
William Lamson is a diligent young photographer on the rise, and on the road. His recent collection “In America”— bold landscapes and portraits of everyday desolate lives—was featured in a one-man show at Brooklyn’s beloved Pierogi Gallery. Between jobs as a photographer’s assistant and completing his MFA at Bard, Lamson spends most of his free time driving around the country, capturing time and tension shared between man and Mother Nature with dignity and occasional humor. In March, Photo District News will name him one of 30 Emerging Photographers to Watch in 2005. Keep an eye out for him—he’s looking to dive into the commercial world. www.williamlamson.com


Figure 3c

ALPHA FEMALE
The last time game developer-turned-fashion designer Addie Wagenknecht took her dog for a walk in downtown Portland, Ore., she was solicited by a stranger. The encounter wasn’t crude but complimentary. The owner of Lexi Dog Social Club & Boutique, the ultra-chic day spa for dogs, admired the hip hand-sewn leash of Addie’s dog and asked if she could sew more to sell in her high-end boutique. Fifteen months later and her collection of cute collars, called ii inu (good dog in Japanese), is now available in 40 retail shops across the U.S. Her secret to success: “I took on a partner who understands finances more than design.” www.iiinu.com

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