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I do not envy the task of the judges for our annual Best of Web competition. Besides the usual parameters for judging a design competition—layout, typography, color, use of imagery—they also must consider factors exclusive to the digital realm: interface ease-of-use, continuity, scalability, content management, on and on.
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Design Industry News (cont'd)

Figure 1.

AN EXTRA LAYER
This year’s 365: AIGA Year in Design 25 may be the slimmest annual to date. Due to the organization’s attempt to drive more traffic to its online archive of winning work, the print catalog has shed a pound or two in weight. To compensate for the weight loss, the jacket has been designed to double as a promotional poster for the contents of the catalog and the digital archive. All 224 pages were designed by Barbara deWilde, whose tony type treatment is featured on the cover. www.aiga.org/content.cfm/365discussion

OFF THE BEATEN TRAIL
When ad agency Arnold Worldwide in Boston needed a series of illustrations to promote client Celebrity Cruises’ off-the-beaten-trail destinations like the Mayan ruins of Copan, Honduras, and the most famous summit of the Swiss Alps, Matterhorn, they turned to Arthur Mount. Out of his one-man studio in Portland, Ore., Mount is producing 12 two-sided posters, which will be distributed not only to nearly every local travel agency in the U.S., but also around the world. Celebrity Cruises is betting Mount’s vistas of exotic destinations like Easter Island and Machu Picchu will make dreamy passersby walk in and reserve things like camel rides around Egypt’s Great Pyramids. www.arthurmount.com

DUDE, WHERE’S MY CAR?
If each level of a parking garage emitted a particular scent (level 1: dirt, level 2: ocean), would that remind you where you parked? CalArts MFA graduate Victoria Lam would argue yes. Her thesis project, a book titled Dude, Where’s My Car, explores the use of visual and odoriferous graphics as memory devices for the forgettable concrete environment of parking garages. Her thesis advisor, noted book designer Lorraine Wild, was so impressed with Lam’s olfactory sense and sensibility that she hired her. And just in time for the Lorraine Wild Studio to announce its new name: Green Dragon Office. This more co-operative title is intended to give staff designers like Lam more autonomy, perhaps to breathe more fire into their work. www.greendragonoffice.com

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