“I like to do things that are the opposite of what is expected; that is why I chose the black-and-white print,” explains Munday, whose O Book also surprises with its atypical use of disposable, recyclable paper. Munday observes that “design is often disposable,” and yet “it is also universal,” a sentiment that translates into a composition that feels and reads like a newspaper, but one comprised entirely of stunning “advertisements” of Munday’s work. “I wanted to show my work, my personality, without showing the physical pieces,” he explains. “It’s about showing things that weren’t used and things that weren’t final, in order to show a more raw side versus a more formal portfolio book. It was a project I always wanted to do.” by Taylor Lowe