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As Tiffany Meyers observes in her overview of the 100 winners, one can’t peg 2009 as the year of any specific color or typographic convention. But the winning projects are reflective of today’s increasingly diverse design discipline. In fact, one has to wonder if there is any longer such a thing as a design discipline—in light of today’s fast-changing and even amorphous practice, the word discipline seems a little out of place.
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DESIGN 100: Logos | Identities | Stationery Systems (cont'd)

58 WINK
With nearly 250,000 works preserved and documented in such fields as books, drawings and prints, textiles, wall coverings, furniture, ceramics, glass, metalwork and jewelry, the Cooper-Hewitt Museum has partnered with Target to increase national awareness of the museum’s collection and programs.

Wink was asked by Target to help market the National Design Week held in October 2007. “During our concepting, Wink created a number of identities used to promote the different areas within the museum,” says designer/art director Scott Thares. “Each of the logos needed to be simple, colorful and appropriate to the area it was representing.” This logo by Wink focuses on the lighting aspect of the museum’s Cooper-Hewitt National Design Week. by Sheree Clark

Wink | Art Directors: Scott Thares, Richard Boynton | Designer, illustrator: Scott Thares | Client: Cooper-Hewitt Museum/Target | Contact: www.wink-mpls.com

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